{"id":319,"date":"2023-05-08T07:15:45","date_gmt":"2023-05-08T07:15:45","guid":{"rendered":"http:\/\/moviescriticsweb.com\/?p=319"},"modified":"2024-09-07T07:40:45","modified_gmt":"2024-09-07T07:40:45","slug":"critique-of-chop-chop-2020-a-movie-review","status":"publish","type":"post","link":"https:\/\/moviescriticsweb.com\/index.php\/critique-of-chop-chop-2020-a-movie-review.html","title":{"rendered":"Critique of &#8220;Chop Chop&#8221; (2020): A Movie Review"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table><tbody><tr><td>A grinning pizza man (David Harper from &#8220;The Clean Bones Gone&#8221;) is seen walking through an alleyway with a pizza box on his back, headed towards his next destination. The man is dressed in a polo shirt with a red cap and red visor. We soon discover that he is carrying a plastic tote bag filled with human heads. <strong>Chop Chop<\/strong> is a film about a pizza deliveryman who follows a young couple to their home. Olivia Matthews and Chuck (Jake Taylor from &#8220;The Case of Jonas Booker&#8221;) are getting ready to spend a quiet night together. Chuck prepares a romantic candlelit meal for Olivia and this sparks a romance between the two. After dinner, Chuck goes to the bathroom and Olivia hears someone knocking on their door. Teddy, the delivery boy, tells Olivia that &#8220;it&#8217;s for you&#8221; despite Olivia protesting they hadn&#8217;t ordered pizza. Teddy won&#8217;t leave and Olivia is forced to face an intruder. Chuck saves her, but what follows puts Olivia and Chuck in a situation that neither of them had planned. <strong>Chop Chop<\/strong>, written by Rony Patel with Andrew Ericksen and produced, directed, edited, and production designed by Patel is more than just your typical &#8220;Oh what sort of trouble will our heroes find themselves in next?&#8221; kind of movie. The situations are all more bizarre and uncomfortable than the previous one. This pushes the limits of horror and action-thriller to dry comedy. Chuck and Olivia, working together to find a solution to the situation, maintain a go-with-the flow attitude that overpowers any anxiety and exhaustion. The ability of Chuck and Olivia to suspend their disbelief is a major part of this film&#8217;s entertainment. Mike Thompson (Court of Appeals) plays the bathrobe-clad Jerry who is always at your door in the wrong time. Mikael Matthewsson (Scariest Night of Your Life) steals the show as Clark &#8211; another man who spends his days doing what-knows? . . We probably don&#8217;t care to know. <strong>Chop Chop<\/strong> features some great 70s style music from cop TV shows. It is full of funny moments, awkward silences and other hilarious situations. This is a funny (and fun) movie that&#8217;s hard for me to describe. This romp is sure to add some fun to your next quiet, pizza and movie night at home.<\/td><td><br><\/td><\/tr><tr><td><br><\/td><td><br><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"480\" src=\"http:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/chop-chop-movie-poster.jpg.webp\" alt=\"\" class=\"wp-image-321 size-full\" srcset=\"https:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/chop-chop-movie-poster.jpg.webp 325w, https:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/chop-chop-movie-poster.jpg-203x300.webp 203w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Chop Chop (2020)<\/strong><\/p>\n\n\n\n<p><strong>Genre(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/genre\/horror\/\">Horror<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/genre\/thriller\/\">Thriller<\/a><\/p>\n\n\n\n<p><strong>MPAA Rating:<\/strong><a href=\"https:\/\/thecriticalcritics.com\/mpaa_rating\/nr\/\">NR<\/a><\/p>\n\n\n\n<p><strong>Director(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/director\/rony-patel\/\">Rony Patel<\/a><\/p>\n\n\n\n<p><strong>Actor(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/actor\/atala-arce\/\">Atala Arce<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/david-harper\/\">David Harper<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/jake-taylor\/\">Jake Taylor<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/james-mccabe\/\">James McCabe<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/jeremy-jordan\/\">Jeremy Jordan<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/mikael-mattsson\/\">Mikael Mattsson<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/natasha-missick\/\">Natasha Missick<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/nicholas-correnti\/\">Nicholas Correnti<\/a><\/p>\n\n\n\n<p><strong>Writer(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/writer\/andrew-ericksen\/\">Andrew Ericksen<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/writer\/rony-patel\/\">Rony Patel<\/a><\/p>\n\n\n\n<p><strong>Producer(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/producer\/rony-patel\/\">Rony Patel<\/a><\/p>\n\n\n\n<p><strong>Studio(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/studio\/fairwolf-productions\/\">Fairwolf Productions<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/studio\/gravitas-ventures\/\">Gravitas Ventures<\/a><\/p>\n\n\n\n<p><strong>Length:<\/strong>81 minutes<\/p>\n\n\n\n<p><strong>Release Date(s):<\/strong>US: October 20, 2020<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A grinning pizza man (David Harper from &#8220;The Clean Bones Gone&#8221;) is seen walking through an alleyway with a pizza box on his back, headed towards his next destination. The man is dressed in a polo shirt with a red cap and red visor. We soon discover that he is carrying a plastic tote bag [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":320,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,6],"tags":[],"class_list":{"0":"post-319","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-11","8":"category-movie-review-archives"},"_links":{"self":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/comments?post=319"}],"version-history":[{"count":1,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/319\/revisions"}],"predecessor-version":[{"id":322,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/319\/revisions\/322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media\/320"}],"wp:attachment":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media?parent=319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/categories?post=319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/tags?post=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}