{"id":371,"date":"2023-05-08T08:43:14","date_gmt":"2023-05-08T08:43:14","guid":{"rendered":"http:\/\/moviescriticsweb.com\/?p=371"},"modified":"2024-09-07T07:40:43","modified_gmt":"2024-09-07T07:40:43","slug":"critique-of-the-kill-team-2019-a-movie-review","status":"publish","type":"post","link":"https:\/\/moviescriticsweb.com\/index.php\/critique-of-the-kill-team-2019-a-movie-review.html","title":{"rendered":"Critique of &#8220;The Kill Team&#8221; (2019): A Movie Review"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"480\" src=\"http:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/the-kill-team-movie-poster.jpg.webp\" alt=\"\" class=\"wp-image-372 size-full\" srcset=\"https:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/the-kill-team-movie-poster.jpg.webp 325w, https:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/the-kill-team-movie-poster.jpg-203x300.webp 203w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>The Kill Team (2019)<\/strong><\/p>\n\n\n\n<p><strong>Genre(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/genre\/action-2\/\">Action<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/genre\/crime\/\">Crime<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/genre\/war\/\">War<\/a><\/p>\n\n\n\n<p><strong>MPAA Rating:<\/strong><a href=\"https:\/\/thecriticalcritics.com\/mpaa_rating\/r\/\">R<\/a><\/p>\n\n\n\n<p><strong>Director(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/director\/dan-krauss\/\">Dan Krauss<\/a><\/p>\n\n\n\n<p><strong>Actor(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/actor\/adam-long\/\">Adam Long<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/alexander-skarsgard\/\">Alexander Skarsg\u00e5rd<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/anna-francolini\/\">Anna Francolini<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/brian-marc\/\">Brian Marc<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/jonathan-whitesell\/\">Jonathan Whitesell<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/nat-wolff\/\">Nat Wolff<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/oliver-ritchie\/\">Oliver Ritchie<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/osy-ikhile\/\">Osy Ikhile<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/rob-morrow\/\">Rob Morrow<\/a><\/p>\n\n\n\n<p><strong>Writer(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/writer\/dan-krauss\/\">Dan Krauss<\/a><\/p>\n\n\n\n<p><strong>Producer(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/producer\/marty-bowen\/\">Marty Bowen<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/producer\/adrian-guerra\/\">Adri\u00e1n Guerra<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/producer\/isaac-klausner\/\">Isaac Klausner<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/producer\/wyck-godfrey\/\">Wyck Godfrey<\/a><\/p>\n\n\n\n<p><strong>Studio(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/studio\/a24\/\">A24<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/studio\/nostromo-pictures\/\">Nostromo Pictures<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/studio\/temple-hill-entertainment\/\">Temple Hill Entertainment<\/a><\/p>\n\n\n\n<p><strong>Length:<\/strong>87 minutes<\/p>\n\n\n\n<p><strong>Release Date(s):<\/strong>US: October 25, 2019<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Kill Team (2019) Genre(s): Action, Crime, War MPAA Rating:R Director(s): Dan Krauss Actor(s): Adam Long, Alexander Skarsg\u00e5rd, Anna Francolini, Brian Marc, Jonathan Whitesell, Nat Wolff, Oliver Ritchie, Osy Ikhile, Rob Morrow Writer(s): Dan Krauss Producer(s): Marty Bowen, Adri\u00e1n Guerra, Isaac Klausner, Wyck Godfrey Studio(s): A24, Nostromo Pictures, Temple Hill Entertainment Length:87 minutes Release Date(s):US: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":373,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,6],"tags":[],"class_list":{"0":"post-371","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-12","8":"category-movie-review-archives"},"_links":{"self":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/comments?post=371"}],"version-history":[{"count":1,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/371\/revisions"}],"predecessor-version":[{"id":374,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/371\/revisions\/374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media\/373"}],"wp:attachment":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media?parent=371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/categories?post=371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/tags?post=371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}