{"id":388,"date":"2023-05-08T09:49:29","date_gmt":"2023-05-08T09:49:29","guid":{"rendered":"http:\/\/moviescriticsweb.com\/?p=388"},"modified":"2024-09-07T07:40:43","modified_gmt":"2024-09-07T07:40:43","slug":"critique-of-ugly-sweater-party-2020-a-movie-review","status":"publish","type":"post","link":"https:\/\/moviescriticsweb.com\/index.php\/critique-of-ugly-sweater-party-2020-a-movie-review.html","title":{"rendered":"Critique of &#8220;Ugly Sweater Party&#8221; (2018): A Movie Review"},"content":{"rendered":"\n<p><div class=\"wrapper\"><div id=\"content-page\" class=\"content-page rewrite-page\"><div class=\"container-fluid\"><div class=\"row\"><div class=\"col-lg-12\"><div class=\"iq-card\"><div class=\"iq-card-body\"><div class=\"row\"><div class=\"col-sm-12 col-md-6 col-lg-6 col-xl-6\"><div class=\"row mb-2\"><div class=\"col-sm-12 col-md-12 col-lg-12 col-xl-12\" id=\"output_editor_wrapper\"><div class=\"fr-view fr-box fr-basic fr-top\" id=\"fr_output_editor\" data-id=\"1\" role=\"application\"><div class=\"fr-wrapper\" dir=\"auto\"><div class=\"fr-element fr-view\" dir=\"auto\" aria-disabled=\"false\" spellcheck=\"true\" contenteditable=\"true\"><table><tbody><tr><td>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"1\">When reviewing horror-comedy, there is tension.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"2\">If  you criticize the more risible parts, there is an inherent &#8220;get out of  jail free card&#8221; in that fact that we are spoofing something that we  normally take serious.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"3\">What is the use of serious criticism?<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"4\"> Ugly Sweater Party does not qualify as serious .<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"5\">Aaron Mento&#8217;s blooper-reel at the end serves as a good reminder.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"6\">The blooper reel also shows how much fun the crew and cast had while making the film.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"7\">In the prologue, Detective Brolin, played by Brad Potts (&#8221; <a href=\"https:\/\/thecriticalcritics.com\/reviews\/movie_review-water_for_elephants\/\">Water for Elephants<\/a>&#8220;), interrogates a suspected murderous maniac, Declan Rains. (Sean Whalen in &#8221; <a href=\"https:\/\/thecriticalcritics.com\/reviews\/movie_review-halloween_2\/\">Halloween II<\/a>&#8220;)<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"8\">Brolin kills Rains but not before he has given a nod to a Satan bust, which suggests demonic forces are at work.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"9\">Ten  years later, Cliff (Charles Chudabala from &#8220;Escape from Ensenada&#8221;),  Jody (Hunter Johnson from &#8220;Bunnymanvengeance&#8221;), and their stoner friends  Jody (both played by Hunter Johnson) are invited to a remote forest  party by two &#8220;slutty girls&#8221;.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"10\">Brolin, a homeless man who is aggressive and threatening, meets the boys on their way.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"11\">The  old detective has an ugly Christmas sweater in his hand &#8212; a convenient  coincidence as the boys need such a garment to attend their party.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"12\">Cliff  and Jody arrive at the &#8220;party&#8221; only to discover that it is actually a  Bible Camp, run by a couple of deranged people (Marv and Felissa  Blauvelt from &#8220;Sculpture&#8221;, and Felissa Rosa from &#8220;The House That Wept  blood&#8221;).<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"13\">Cliff  and Jody had hoped to have luck with their daughters Susan (Tiffani  Festival, &#8220;Krampus The Devil Returns&#8221;) or Samantha (Emily Dahm &#8220;From  Jennifer&#8221;) but now it seems that the ladies are renouncing promiscuity.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"14\">Cliff&#8217;s demonic sweater will be used to feed on the oddball characters that are at camp.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"15\">The  ugly sweater, also known as &#8220;Sweaterface&#8221;, &#8220;Sweaterhead&#8221;, and other  names, is possessed and is driving Cliff to collect souls.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"16\">The result is an eclectic mix of splatter deaths.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"17\">Cliff eats a man&#8217;s penis, then drinks the arterial spray that comes out of the wound.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"18\">The jokes get even more gruesome.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"19\">If you find the name Camp Mandix amusing, you may be able to find more value elsewhere.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"20\">The humor is varied, from the endearingly irreverent to the dismally cretinous.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"21\">Mento&#8217;s  visual gags are a few and decent &#8212; for example, when Father Bottoms  (&#8220;The Perfect Host&#8221; Matt Holbrook) appears to drown in a river, but is  actually searching for his wallet after a baptism &#8212; but the majority of  its efforts are depressingly poor.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"22\">It&#8217;s especially tiresome to hear the constant stream of homosexual jokes.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"23\">It&#8217;s not just wordplay, but the actual sight of two men in an alleged homosexual situation.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"24\">Maybe 30 years ago.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"25\">Not even then.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"26\">Mento&#8217;s  visual references to splatter masters such as Sam Raimi and Peter  Jackson are obvious, but Troma is the one that has gotten more mileage.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"27\">It&#8217;s a tacky, trashy, and unrefined filmmaking on every level. That is the point.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"28\">Even before the evil pullover begins manipulating time, the editing is chaotic and nonsensical.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"29\">The  film is not Shane Carruth\u2019s \u201cPrimer,\u201d but the editing gets weird and  the time changes. This leads to some flashes, such as when the  counselors lead the group in a Mambo dance.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"30\">A  subplot involves a girl called Hanna (Lara Jean from &#8220;Anomaly&#8221;) who is a  &#8220;witch&#8221;, a psychic, sent to the camp in order to be cleansed so that  her parents will accept her.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"31\">Don&#8217;t worry; even this isn\u2019t taken seriously.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"32\">She makes a deal instead with Jody. If he kills Cliff&#8217;s rampaging, she will cure his STI.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"33\">Somehow.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"34\">It&#8217;s not dangerous.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"35\">One scene that made me feel uncomfortable was when a character went on a shooting spree through the camp.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"36\">This  was a bit tone deaf, especially in light of recent US events and the  proximity of the film to Erik Poppe&#8217;s Utoya and Paul Greengrass&#8217;s 22  July.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"37\">The film in general is too juvenile and stupid to offend.<\/span>     <\/p>     <p>      <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"38\"><strong>Ugly Sweater Party<\/strong>  isn&#8217;t overly long, barely breaking 80 minutes. It&#8217;s even shorter if you  take into account that live footage from speed metal band Omicida (whom  I assume are friends of director) takes up a large portion of the film.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"39\">The  haphazardness of their presence highlights the editing disorder that is  evident in the film. It&#8217;s a film that appears to be trying to push  boundaries but paradoxically, its humor and worldview seem dated.<\/span> <span class=\"wordai-block rewrite-block enable-highlight\" data-id=\"40\">If you&#8217;re looking for the savagery of VHS horror, this is a film to watch.<\/span>     <\/p>    <\/td><td>         <\/td><\/tr><tr><td>         <\/td><td>         <\/td><\/tr><\/tbody><\/table><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>           <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"475\" src=\"http:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/ugly-sweater-party-movie-poster.jpg.webp\" alt=\"\" class=\"wp-image-390 size-full\" srcset=\"https:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/ugly-sweater-party-movie-poster.jpg.webp 320w, https:\/\/moviescriticsweb.com\/wp-content\/uploads\/2023\/05\/ugly-sweater-party-movie-poster.jpg-202x300.webp 202w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Ugly Sweater Party (2018)<\/strong><\/p>\n\n\n\n<p><strong>Genre(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/genre\/comedy\/\">Comedy<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/genre\/horror\/\">Horror<\/a><\/p>\n\n\n\n<p><strong>MPAA Rating:<\/strong><a href=\"https:\/\/thecriticalcritics.com\/mpaa_rating\/nr\/\">NR<\/a><\/p>\n\n\n\n<p><strong>Director(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/director\/aaron-mento\/\">Aaron Mento<\/a><\/p>\n\n\n\n<p><strong>Actor(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/actor\/kevin-caliber\/\">Kevin Caliber<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/berna-roberts\/\">Berna Roberts<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/brad-potts\/\">Brad Potts<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/charles-chudabala\/\">Charles Chudabala<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/felissa-rose\/\">Felissa Rose<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/hunter-johnson\/\">Hunter Johnson<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/jennifer-nangle\/\">Jennifer Nangle<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/jody-barton\/\">Jody Barton<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/lara-jean\/\">Lara Jean<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/sean-whalen\/\">Sean Whalen<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/actor\/tiffani-fest\/\">Tiffani Fest<\/a><\/p>\n\n\n\n<p><strong>Writer(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/writer\/aaron-mento\/\">Aaron Mento<\/a><\/p>\n\n\n\n<p><strong>Producer(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/producer\/charles-chudabala\/\">Charles Chudabala<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/producer\/aaron-mento\/\">Aaron Mento<\/a>, <a href=\"https:\/\/thecriticalcritics.com\/producer\/hunter-johnson\/\">Hunter Johnson<\/a><\/p>\n\n\n\n<p><strong>Studio(s):<\/strong> <a href=\"https:\/\/thecriticalcritics.com\/studio\/ocular-migraine-productions\/\">Ocular Migraine Productions<\/a><\/p>\n\n\n\n<p><strong>Length:<\/strong>81 minutes<\/p>\n\n\n\n<p><strong>Release Date(s):<\/strong>US: November 23, 2018<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>When reviewing horror-comedy, there is tension. If you criticize the more risible parts, there is an inherent &#8220;get out of jail free card&#8221; in that fact that we are spoofing something that we normally take serious. What is the use of serious criticism? Ugly Sweater Party does not qualify as serious . Aaron Mento&#8217;s blooper-reel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":389,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,6],"tags":[],"class_list":{"0":"post-388","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-13","8":"category-movie-review-archives"},"_links":{"self":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/comments?post=388"}],"version-history":[{"count":2,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/388\/revisions"}],"predecessor-version":[{"id":392,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/388\/revisions\/392"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media\/389"}],"wp:attachment":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media?parent=388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/categories?post=388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/tags?post=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}