{"id":39,"date":"2023-05-07T08:01:14","date_gmt":"2023-05-07T08:01:14","guid":{"rendered":"http:\/\/tdi_9_aa2"},"modified":"2024-09-07T07:41:08","modified_gmt":"2024-09-07T07:41:08","slug":"these-striking-photos-capture-the-future-of-human-flight","status":"publish","type":"post","link":"https:\/\/moviescriticsweb.com\/index.php\/these-striking-photos-capture-the-future-of-human-flight.html","title":{"rendered":"Preview of “The Lion King” (2019) in Movie Trailer"},"content":{"rendered":"\n

Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.<\/p>\n\n\n\n

Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.<\/h2>\n\n\n\n

Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.<\/p>\n\n\n\n

Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:<\/p>\n\n\n\n

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Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.<\/p>\n<\/blockquote>\n\n\n\n

He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.<\/p>\n\n\n\n

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When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”<\/p>\n<\/blockquote>\n\n\n\n

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“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.<\/p>\n<\/blockquote>\n\n\n\n

The ongoing effort by Disney to bring “live action” realism and update their classics, such as “Dumbo,” The Jungle Book<\/a>,” Beauty and the Beast<\/a> continues with The Lion King<\/strong>. The Lion King follows the same plot as the 1994 animated film (and “Kimba the White Lion”, from which it was adapted) where a young (voiced) lion (voiced) by Donald Glover runs away from the pride of his father after his death (voiced again by James Earl Jones). This allows his uncle (voiced Chiwetel Ejiofor), who is a conspirator, to take over the throne. Walt Disney Studios has created a trailer that shows off the photorealistic computer-generated animation that brings the story to life.<\/p>\n\n\n\n

The Lion King<\/strong> features the voices of James Earl Jones and Seth Rogen. Donald Glover is also featured. Keegan-Michael Key Alfre, Woodard Billy Eichner Beyonce Eric Andre John Oliver<\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

Official Synopsis:
The Lion’s King<\/strong> travels to Africa, where a new king is born. Simba idolizes King Mufasa and embraces his own destiny as a king. Not everyone in the Kingdom is happy about the arrival of the new cub. Scar, Mufasa\u2019s brother and former heir to throne has his own plans. Simba is forced to leave Pride Rock after a battle rife with drama, betrayal and tragedy. Simba must learn to mature and grow up with the help of a pair of curious newfound friends.<\/p>\n\n\n\n

The Lion King will protect the pride of US and UK audiences on July 19, 2019.<\/p>\n\n\n\n

\"\"<\/figure>
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The Lion King (2019)<\/strong><\/p>\n\n\n\n

Genre(s):<\/strong> Adventure<\/a>, Animation<\/a>, Drama<\/a>, Musical<\/a><\/p>\n\n\n\n

MPAA Rating:<\/strong>PG-13<\/a><\/p>\n\n\n\n

Director(s):<\/strong> Jon Favreau<\/a><\/p>\n\n\n\n

Actor(s):<\/strong> Seth Rogen<\/a>, Alfre Woodard<\/a>, Beyonce Knowles<\/a>, Billy Eichner<\/a>, Chiwetel Ejiofor<\/a>, Donald Glover<\/a>, Eric Andr\u00e9<\/a>, James Earl Jones<\/a>, John Oliver<\/a>, Keegan-Michael Key<\/a><\/p>\n\n\n\n

Writer(s):<\/strong> Jeff Nathanson<\/a><\/p>\n\n\n\n

Producer(s):<\/strong> Jon Favreau<\/a>, Jeffrey Silver<\/a>, Karen Gilchrist<\/a><\/p>\n\n\n\n

Studio(s):<\/strong> Fairview Entertainment<\/a>, Walt Disney Pictures<\/a><\/p>\n\n\n\n

Length:<\/strong>118 minutes<\/p>\n\n\n\n

Release Date(s):<\/strong>US: July 19, 2019 | UK: July 19, 2019<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or […]<\/p>\n","protected":false},"author":1,"featured_media":235,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-39","1":"post","2":"type-post","3":"status-publish","4":"format-video","5":"has-post-thumbnail","7":"category-movie-trailers","8":"post_format-post-format-video"},"_links":{"self":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/39","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/comments?post=39"}],"version-history":[{"count":4,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/39\/revisions"}],"predecessor-version":[{"id":258,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/posts\/39\/revisions\/258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media\/235"}],"wp:attachment":[{"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/media?parent=39"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/categories?post=39"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviescriticsweb.com\/index.php\/wp-json\/wp\/v2\/tags?post=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}